The Manhattan Project

Military-Civilian Relations

Jerome Karle's Interview

Jerome Karle: My name is Jerome Karle. And it is J-E-R-O-M-E K-A-R-L-E.

Cindy Kelly: Great. Dr. Karle, can you tell me about what you were doing in the early 1940s and how you happened to become part of the Manhattan Project?

Karle: Well, I had just finished my work in 1943, for my graduation on my degree.

Isabella Karle: Your PhD.

Newton Stapleton's Interview

Stephane Groueff: It is working. Mr. Stapleton, you were with security during the Hanford period, or you were already here with security in DuPont in Wilmington?

Newton Stapleton: I was in the security prior to Hanford. At the beginning of the war, DuPont got involved in building a plant for the French and British down at Memphis, Tennessee. Then as our country became more involved, we got involved in trying to please or satisfy the government from the Air Force, the Army, the Navy, the Coast Guard and everything.

Siegfried Hecker's Interview - Part 1

Richard Rhodes: So what I thought we might do since you just came back from – was this work related to the Russian collaboration?

Siegfried Hecker: Yes.

Rhodes: Then maybe we should debrief you about that first before we go back and do the earlier part of the story. Does that make sense to you?

Hecker: Well, I do not know how you do these things. I am completely in your hands. Whatever you think makes sense.

Walter Goodman's Interview

Walter Goodman: My name is Walter Goodman and I was born in 1922, which is a very long time ago. I was particularly interested in engineering and in the military from the time I was a young boy. When I did get into the service, I ended up continuing in school, and finished electrical engineering.

Dorothy McKibbin's Interview (1979)

Martin Sherwin: This is an interview with Dorothy McKibbin in Santa Fe, July 20, 1979.

Dorothy McKibbin: Santa Fe?

Sherwin: It sure is, but it’s not going to be my last. I’m enjoying it thoroughly.

McKibbin: Great country.

Sherwin: It is. It’s just beautiful, and, of course, we’re having such fantastic weather now. If I could put this—

Ted Taylor's Interview - Part 2

Richard Rhodes: You said [Richard] Courant’s work added realism?

Ted Taylor: Yeah.

Rhodes: How so?

Taylor: By going over various tricks for dealing with the discontinuities, the singularities in the hydrodynamics. I had the impression that he was very helpful to people like Bob Richtmyer. I don’t know that Richard himself came up with anything all new and different, I don’t know. But he was very articulate and active.

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